Major exhibits by Alma W. Thomas and David Driskell come to The Phillips Collection | Arts & Theatre

There are personal touches. “Historical Costumes Sketches” from 1922 and a case of lovely puppets created with his students from 1933 to 1934 are examples of his interest in the theater.

Her love of color extends to all aspects of her life. Her favorite bright orange uterus chair, designed in 1946 by Eero Saarinen, made by Knoll, is here, along with two dresses by Elka M. Stevens: “Recreation of a dress designed by Maceo E. McCray for Fisk University in Alma Thomas and Whitney Vernissages of exhibitions at the museum “and” Recreation of the house dress of Alma Thomas “.

Driskell was inspired by the Bible and the African diaspora. In creating his art, he would employ media techniques of printing, painting and collage in figurative abstractions, in what he called “the symbolic presence of form”. His love of nature appears in one of his early works, “My Father’s Farm, North Carolina” (1955, egg tempera on masonite), and it is a theme he will continue throughout his work. life.

Its colors are strong and bold, requiring close observation to reveal their layers and detail. The variety of her works ranges from austere black and white woodblock portraits, such as “African” (1972), to brilliant multicolored oil and collage works, such as “Woman with Flowers” (1972). A video of Driskell and master printer Curlee Holton reveals the thought process and the complexity of the methods he employed.

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